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Mysterious and Deadly Brain Tones

01   Wanda Del Fuego ....... Vocal by Dave Brooks; track by Paula Wolak, Michael Charles McDonald and other really good musicians; copyright © 2004

02   A Little Love Is Enough ....... Performed by Timothy Drury; copyright © 2002

03   If Only * ....... Lead vocal by Dawn Woullard; backing vocals by Dawn and Marty; track by Bob Summers; copyright © 1997

04   Here's To Every Baby ........ Performed by Timothy Drury; copyright © 1997

05   Half The Fun ....... Vocals by The Kimberlies; track by Bob Summers; copyright © 1988

06   Winter Lady ....... Performed by Timothy Drury; copyright © 1988

07   Love Ago ....... Performed by Jonmark Stone, with strings and engineering supervision by Michael Charles McDonald; inspired by unattributed melody; copyright © 2005

08   Sweet Mystery ** ....... Lead vocal by Inoke Baravilala; track and backing vocals by Marty; copyright © 1992

09   Lady Blue ....... Performed by Timothy Drury; copyright © 1987

10   Never Say "Never Say Never" ....... Performed by Leroy Osbourne; copyright © 1990

11   I Will Know You ....... Vocal by Dawn Woullard; track by Bob Summers; copyright © 1994

12   Goodbye Eyes ....... Performed by Timothy Drury; copyright © 1984

13   You Cannot Lose His Love ....... Vocal by Dawn Woullard; track by Gene Skinner, Michael Charles McDonald and Bob Summers; copyright © 1994

14   Speak Your Heart ....... Performed by Timothy Drury; copyright © 1990

15   I Will Honor You .......Vocal by Elaine Ford; track by Bob Summers; copyright © 1995

16   If Wishing Made It So .......Vocal by Dawn Woullard; track by Bob Summers; copyright © 1998

17   Your Stream ....... Performed by Timothy Drury; copyright © 1995

 

Ending remark is lovingly all Jessica's.

This compact disk was mastered by my dear friend Michael Charles McDonald at Syntharts Studio in Eugene. Given the wide diversity of recording environments and quality of the demos, this was no small task.

* I realize that the verb to be does not take an object and that the word me in the second verse should more properly be I. When I pointed these grammatical errors out, I was told, and I quote, "But that don't sing good."  So be it . . .

** I also realize that the word serious in the first verse should be seriously, but the song was about a girl who always took herself kind of serious, as she said, rather than kind of seriously.  Sheesh . . .

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